être l"objet de - Definition. Was ist être l"objet de
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Was (wer) ist être l"objet de - definition

Objet Sonore

Être Dieu         
OPERA
Etre Dieu
Être Dieu: opéra-poème, audiovisuel et cathare en six parties (French for "Being God: a Cathar Audiovisual Opera-Poem in Six Parts") is a self-proclaimed "opera-poem" written by Spanish surrealist painter Salvador Dalí, based on a libretto by Manuel Vázquez Montalbán with music by French avant-garde musician Igor Wakhévitch. It was originally published in 1985.
Maison et Objet         
MAJOR FRENCH TRADE FAIR FOR INTERIOR DESIGN
Maison & Objet
Maison et Objet is a major French trade fair for interior design. Held bi-annually in Paris Nord Villepinte Exhibition Center, it has been described as "among the 3 most important European events for interior design ...
Objet d'art         
  • ''Objet d’art'': A [[netsuke]] ivory carving from Japan, ca. 18th or 19th century, coloured with black ink.
HIGH QUALITY THREE-DIMENSIONAL WORK IN THE DECORATIVE ARTS
Objects d'art; Objets d'art; Vertu (collections); Objéts d'art; Objets d’art; Objet d′art; Objet de vertu; Objets-d'art; Object of virtu
Objet d'art (; plural objets d'art) literally means "art object" (or work of art) in French, but in practice, the term has long been reserved in English to describe works of art that are not paintings, large or medium-sized sculptures, prints, or drawings. It therefore covers a wide range of works, usually small and three-dimensional, of high quality and finish in areas of the decorative arts, such as metalwork items, with or without enamel, small carvings, statuettes and plaquettes in any material, including engraved gems, hardstone carvings, ivory carvings and similar items, non-utilitarian porcelain and glass, and a vast range of objects that would also be classed as antiques (or indeed antiquities), such as small clocks, watches, gold boxes, and sometimes textiles, especially tapestries.

Wikipedia

Sound object

In musique concrete and electronic music theory the term sound object (originally l'objet sonore) is used to refer to a primary unit of sonic material and often specifically refers to recorded sound rather than written music using manuscript or a score. It was coined by Pierre Schaeffer in his publication Traité des objets musicaux (1966).